a2jfreak.net

Saturday, October 6, 2007

Brett McKenzie is running for the Green Party of Ontario in the Ontario provincial election, in the London North Centre riding. Wikinews’ Nick Moreau interviewed him regarding his values, his experience, and his campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

Monday, January 14, 2019

An individual has been arrested after Pawe? Adamowicz, mayor of the Polish city of Gda?sk, was stabbed last night whilst on stage at a fundraising event. He died today.

Reports on the implement used vary between a knife and a “sharp tool”. The attacker is reported to have jumped on stage during the Great Orchestra of Christmas Charity and claimed he was wrongfully imprisoned under Adamowicz’s former party Civic Platform’s time in government. Adamowicz was an early supporter of democracy, and has been mayor since 1998.

Ex-Prime Minister Donald Tusk, the current President of the European Council, wrote “Let’s all pray for Mayor Adamowicz. Pawe?, we are with you.” Tusk, a founding Civic Platform member, is from Gda?sk. Interior Minister Joachim Brudzi?ski called the stabbing “an act of inexplicable barbarity.” He said “I can’t find the words, an explanation, for this kind of act. Especially since the finale of the Great Orchestra of Christmas Charity has for the last 27 years always been associated with good, with something joyful, positive.”

The fundraiser was intending this year to obtain money for children’s hospitals to buy equipment. It raises money annually to assist the nation’s medical services.

Brudzi?ski said Adamowicz required resuscitation, and was in a “serious” condition; TVN24 reported he received surgery. Prime Minister Mateusz Morawiecki tweeted “We are with Mayor Adamowicz in our thoughts and prayers.” President Andrzej Duda remarked, “Today I am unconditionally with him and his loved ones, just as I hope all of us compatriots are. I pray for his return to health and full strength.”

Duda told local media Adamowicz’s heart was restarted by doctors “and there is hope, but his condition is very difficult.” Police spokesman Mariusz Ciarka said a press badge was used by the assailant, reported by The Guardian as convicted of assaults and by Associated Press of bank robberies, to gain entry. The detained suspect’s identity is restricted to ‘Stefan W’ owing to Polish privacy legislation.

Adamowicz was taken to the Medical University of Gda?sk, where Dr. Tomasz Stefaniak was met with applause early today upon announcing to journalists Adamowicz remained alive. “The next hours will decide everything,” Stefaniak said. Politicians and the Archbishop of Gda?sk, S?awoj Leszek G?ód?, were reported by local media to have visited the hospital while Adamowicz received emergency surgery.

Adamowicz subsequently was announced to have died. Health Minister ?ukasz Szumowski said “We couldn’t win,” and the city flag is at half-mast. Gda?sk residents donated blood by the hundreds today in a bid to assist. Vigils nationwide this evening were attended by thousands.

Adamowicz, 53, has supported LGBT rights and and the inclusion of minority groups. He recently condemned anti-semitism after vandalism against a synagogue in the city. Adamowicz was at the event after collecting money for the organisation in Gda?sk’s streets alongside volunteers nationwide.

A potential charge of murder against Stefan W carries a possible life sentence. Prosecutor Krzysztof Sierak told reporters today psychiatric assessments will be carried out to confirm if Stefan W is fit for trial.

Wednesday, December 16, 2009

A report published last week in the Toronto Star by Professor Michael Geist of Canada’s University of Ottawa claims a copyright case under the Class Proceedings Act of 1992 may see the country’s largest players in the music industry facing upwards of C$6 billion in penalties.

The case is being led by the family and estate of the late jazz musician Chet Baker; moving to take legal action against four major labels in the country, and their parent companies. The dispute centres around unpaid royalties and licensing fees for use of Baker’s music, and hundreds of thousands of other works. The suit was initially filed in August last year, but amended and reissued on October 6, two months later. At that point both the Canadian Musical Reproduction Rights Agency (CMRRA) and Society for Reproduction Rights of Authors (SODRAC) were also named defendants.

January this year SODRAC and CMRRA switch sides, joining Baker et al. as plaintiffs against Sony BMG Music, EMI Music Canada, Universal Music Canada and Warner Music Canada. David A. Basskin, President and CEO of CMRRA, with a professional law background, stated in a sworn affidavit that his organisation made numerous attempts over the last 20 years to reduce what is known as the “pending list”, a list of works not correctly licensed for reproduction; a list of copyright infringements in the eyes of the Baker legal team.

The theoretical principle of the list is to allow timely commercial release while rights and apportionment of monies due are resolved. Basskin complains that it is “economically infeasible to implement the systems that would be needed to resolve the issues internally”. And, “[…] for their part, the record labels have generally been unwilling to take the steps that, in the view of CMRRA, would help to resolve the problem.”

The Baker action demands that the four named major labels pay for and submit to an independent audit of their books, “including the contents of the ‘Pending Lists'”. Seeking an assessment of gains made by the record companies in “failure or refusal to compensate the class members for their musical works”, additional demands are for either damages and profits per the law applicable in a class action, or statutory damages per the Copyright Act for copyright infringement.

This forms the basis for Professor Geist’s six billion dollar calculation along with Basskin’s sworn testimony that the pending lists cover over 300,000 items; with each item counted as an infringement, the minimum statutory damages per case are CA$500, the maximum $20,000.

Basskin’s affidavit on behalf of CMRRA goes into detail on the history leading up to the current situation and class action lawsuit; a previous compulsory license scheme, with poor recordkeeping requirements, and which, had a decline in real terms to one of the lowest fees in the world, was eventually abolished and the mechanical license system introduced. The CMRRA went on to become a significant representative of music publishers and copyright holders, and the pending list an instrument to deal with situations where mechanical rights were as-yet not completely negotiated. Basskin’s affidavit claiming the list grew and circumstances worsened as time progressed.

The Mechanical Licensing Agreement (MLA) between the “majors'” industry body, an attached exhibit to the affidavit, is set to expire December 31, 2012; this is between CMRRA and the Canadian Recording Industry Association (CRIA). With the original MLA expiring at end September 1990, CMRRA negotiated more detailed terms and a “code of conduct”. Subsequent agreements were drawn up in 1998, 2004, 2006, and 2008.

Basskin asserts that the named record company defendants are the “major” labels in Canada and states they “are also responsible for creating, maintaining and administering the so-called “Pending Lists” that are the subject of the current litigation”; that, specific to publishing, divisions of the four represent the “‘major’ music publishers active in Canada”. Yet the number of music publishers they represent has decreased over time due to consolidation and defection from the CRIA.

Geist summarizes the record company strategy as “exploit now, pay later if at all”. This despite the CMRRA and SODRAC being required to give lists of all collections they represented to record labels, and for record labels to supply copies of material being released to permit assessment of content that either group may represent interested parties for. Where actual Mechanical License Agreements are in place, Basskin implies their terms are particularly broad and preclude any party exercising their legal right to decline to license.

Specific to the current Mechanical Licensing Agreement (MLA) between the CMRRA and the CRIA; a “label is required to provide an updated cumulative Pending List to CMRRA with each quarterly payment of royalties under the MLA.” The CMRRA is required to review the list and collect where appropriate royalties and interest due. Basskin describes his first encounter with pending lists, having never heard of them before 1989, thus:

Alain Lauzon, General Manager of Canada’s Society for Reproduction Rights of Authors, Composers and Publishers (SODRAC) submitted his followup affidavit January 28, 2009 to be attached to the case and identify the society as a plaintiff. As such, he up-front states “I have knowledge of the matters set out herein.” Lauzon, a qualified Chartered Accountant with an IT specialisation, joined SODRAC in 2002 with “over 20 years of business experience.” He is responsible for “negotiation and administration of industry-wide agreements for the licensing of music reproduction and distribution”; licensing of radio and online music services use is within his remit.

Lauzon makes it clear that Baker’s estate, other rightsholders enjoined to the case, SODRAC, and CMRRA, have reached an agreed settlement; they wish to move forward with a class proceeding against the four main members of the CRIA. He requests that the court recognise this in relation to the initially accepted case from August 2008.

The preamble of the affidavit continues to express strong agreement with that of David Basskin from CMRRA. Lauzon concurs regarding growing use of “pending lists” and that “[…] record labels have generally been unwilling to take the steps that would help to resolve the Pending List problem.”

With his background as an authority, Lauzon states with confidence that SODRAC represents “approximately 10 to 15% of all musical works that are reproduced on sound recordings sold in Canada.” For Quebec the figure is more than 50%.

Lauzon agrees that the four named record company defendants are the “major” labels in Canada, and that smaller independent labels will usually work with them or an independent distribution company; and Basskin’s statement that “[t]he responsibility to obtain mechanical licenses for recordings manufactured and/or released in Canada falls with the Canadian labels by law, by industry custom, and by contractual agreement.”

Wikinews attempted to contact people at the four named defendant CRIA-member record labels. The recipient of an email that Wikinews sent to Warner Brothers Canada forwarded our initial correspondence to Hogarth PR; the other three majors failed to respond in a timely fashion. Don Hogarth responded to Wikinewsie Brian McNeil, and, without addressing any of the submitted questions, recommended a blog entry by Barry Sookman as, what he claimed is, a more accurate representation of the facts of the case.

Sookman is a lobbyist at the Canadian Parliament who works in the employ of the the Canadian Recording Industry Association (CRIA). Hogarth gave no indication or disclosure of this; his direction to the blog is to a posting with numerous factual inaccuracies, misdirecting statements, or possibly even lies; if not lies, Sookman is undoubtedly not careful or “very qualified” in the way he speaks on the issue.

Sookman’s blog post opens with a blast at Professor Geist: “his attacks use exaggeration, misleading information and half truths to achieve his obvious ends”. Sookman attempts to dismiss any newsworthiness in Geist’s article;

As the extracted [see right] stamp, date, and signature, shows, the court accepted amendments to the case and its submission, as Professor Geist asserts, on October 6. The previously mentioned submissions by the heads of CMRRA and SODRAC were indeed actions within the past year; that of SODRAC’s Alain Louzon being January 28 this year.

Sookman continues his attack on Professor Geist, omitting that the reverse appears the case; analysis of his blog’s sitemap reveals he wrote a 44-page attack on Professor Geist in February 2008, accusing him of manipulating the media and using influence on Facebook to oppose copyright reform favourable to the CRIA. In the more current post he states:

This characterisation of the pending list only matches court records in that it “has been around for decades”. CMRRA’s Basskin, a lawyer and industry insider, goes into great detail on the major labels resisting twenty years of collective societies fighting, and failing, to negotiate a situation where the labels take adequate measures to mechanically license works and pay due fees, royalties, and accrued interest.

What Sookman clearly overlooks is that, without factoring in any interest amounts, the dollar value of the pending list is increasing, as shown with the following two tables for mid-2008.

As is clear, there is an increase of C$1,101,987.83 in a three-month period. Should this rate of increase in the value of the pending list continue and Sony’s unvalued pending list be factored in, the CRIA’s four major labels will have an outstanding debt of at least C$73 million by end-2012 when the association’s Mechanical Licensing Agreement runs out.

Friday, May 26, 2006

In February of 2006, the Savarino Services Construction Corp. proposed the construction of a seven million dollar hotel on Elmwood and Forest Avenues in Buffalo, New York. In order for the hotel to be built, at least five properties containing businesses and residents would have to be destroyed. It was not certain whether the properties were owned by Savarino or by the landlord Hans Mobius. The hotel was designed by Karl Frizlen of the Frizlen Group, and is planned to be a franchise of the Wyndham Hotels group.

Elmwood Avenue is known by the community as a popular shopping center, and Nancy Pollina of Don Apparel (who is “utterly against” the construction) claims it’s the only reason why students from Buffalo State College leave campus. Additionally, Michael Faust of Mondo Video said he did not want to “get kicked out of here [his video store property].”

In 1995, a Walgreens was proposed to be built on the same land, but Walgreens later withdrew its request for a variance because of pressure from the community. More recently, Pano Georgiadis tried to get the rights to demolish the Atwater House next to his restaurant on Elmwood Avenue, but was denied a permit due to the property’s historical value. He has since been an opponent to the hotel construction.

In the process of debating the hotel, it was thought that a hotel had previously existed on the proposed site, however; research done at the Buffalo and Erie County Historical Society had shown that no hotel had previously existed on the site.

Saturday, March 7, 2009

After almost two months of delay, NASA has set March 11 as the launch date for Space Shuttle Discovery. On February 22, NASA had stated that they indefinitely delayed the launch of Space Shuttle Discovery, which was originally scheduled for takeoff on February 12. Launch was then further delayed until February 25 before being delayed indefinitely on February 22. NASA cited the need for additional time to evaluate the shuttle’s hydrogen fuel flow control valves.

Liftoff is set for nighttime on Wednesday, March 11, at approximately 9:20 p.m. (EST) from Launch Complex 39A in Cape Canaveral, Florida. The official countdown to launch will commence Sunday, March 8.

“The team came through, worked hard and was efficient. It’s time now to step back and think of everything else we need to watch before launch on the 11th. There’s no better team than this one and I thank them for putting the right analysis together,” said Bill Gerstenmaier, associate administrator for Space Operations at NASA.

NASA wanted to perform additional tests on the valves which control the amount of hydrogen fuel pumped into the external tank when the shuttle is taking off before making a decision to launch. When Space Shuttle Endeavour went into space in November 2008, one of the valves broke. NASA fears that if one breaks off on this mission, then it could damage the outside of the shuttle.

The current scheduled mission, STS-119, is set to fly the Integrated Truss Structure segment (“S” for starboard, the right side of the station, and “6” for its place at the very end of the starboard truss) and install the final set of power-generating solar arrays to the International Space Station. The arrays consist of two 115-foot-long arrays, for a total wing span of 240 feet, including the equipment that connects the two halves and allows them to twist as they track the sun. Altogether, the four sets of arrays can generate 84 to 120 kilowatts of electricity – enough to provide power for more than 40 average homes.

Commander Lee Archambault will lead Discovery’s crew of seven, along with Pilot Tony Antonelli, and Mission Specialists Joseph Acaba, John Phillips, Steve Swanson, Richard Arnold, and Japan Aerospace Exploration Agency astronaut Koichi Wakata.

Monday, October 7, 2019

Yesterday morning, English drummer Ginger Baker died in a hospital at the age of 80. The news came from the Twitter account in his name and was independently confirmed by Associated Press with his daughter Nettie Baker. On September 25, it was reported Baker was hospitalized in critical condition. Baker was widely known as the drummer and co-founder of the rock band Cream, an early supergroup.

Baker, a life-long smoker and former heroin addict, suffered from health problems for years. The list of ailments included hearing loss, osteoarthritis, emphysema and chronic obstructive pulmonary disease, as well as heart problems for which he had surgery in 2016. Although known to have lived his latter years in South Africa, his daughter said he died in Britain without elaborating.

Ginger Baker was born Peter Edward Baker in Lewisham, London, in 1939. His father was killed in combat in 1943 during World War II. Baker — who was reportedly nicknamed Ginger due to his red hair — began playing drums in his teens. In a story he sometimes told, he had a habit of tapping on school desks. When an opportunity arose at a party, his classmates encouraged him to sit down at a drum set. “I’d never sat behind a kit before, but I sat down — and I could play! One of the musicians turned round and said, ‘Bloody hell, we’ve got a drummer’, and I thought, ‘Bloody hell, I’m a drummer’?”, he recalled in a 2009 retelling of the story to the The Independent.

Baker began his career as a drummer in jazz bands. He played with Acker Bilk and Terry Lightfoot. In 1962, when fellow drummer Charlie Watts was leaving Blues Incorporated for The Rolling Stones, Watts recommended Baker to be his replacement. Later, Baker found early success with rhythm and blues band The Graham Bond Organisation where he met bassist Jack Bruce.

In 1966, Baker, Bruce and singer/guitarist Eric Clapton, who was known from The Yardbirds, formed Cream. The rock trio was a massive success, selling tens of millions of records, including the first ever platinum certified album Wheels of Fire. Cream recorded four albums, then in 1968 disbanded with Baker and Bruce having developed a volatile relationship. Clapton and Baker were subsequently in another supergroup Blind Faith with Steve Winwood and Ric Grech. Blind Faith recorded only one studio album but notably played before a crowd of a hundred thousand at a free concert in London’s Hyde Park.

In the 1970s, Baker moved to Nigeria where he established a studio and began playing polo. Here he collaborated with Fela Kuti and worked on Wings’s album Band on the Run with Paul McCartney of The Beatles fame. Later, he recorded with John Lydon’s Public Image Ltd.

Cream was inducted in 1993 into the Rock and Roll Hall of Fame. The band reunited in 2005 for several London and New York concerts. Afterwards he moved to South Africa, and still lived there when the 2012 documentary Beware of Mr. Baker was filmed. Baker’s last recording was 2014’s Why? solo album. Baker retired from live performances in 2016 due to his ill health.

Paul McCartney wrote on Twitter, “Ginger Baker, great drummer, wild and lovely guy. We worked together on the ‘Band on the Run’ album in his ARC Studio, Lagos, Nigeria. Sad to hear that he died but the memories never will.”

“A very sad loss, and my condolences to his family and friends. A loss also for his contribution to music. He was well-grounded in jazz from very early on,” wrote Steve Winwood in a statement. “Beneath his somewhat abrasive exterior, there was a very sensitive human being with a heart of gold. He’ll be missed.”

Mick Jagger of The Rolling Stones also reacted on Twitter, “Sad news hearing that Ginger Baker has died, I remember playing with him very early on in Alexis Korner’s Blues Incorporated. He was a fiery but extremely talented and innovative drummer.”

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